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    Fri, Sep 03, 2010 12:10:13 AM ET  
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Item No. 1680954 :      Brea Souders, Untitled # 7, 2009 D7DWA
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Currently $ 400.00
Buyer's Premium $ 80.00 Learn More
Total Amount $ 480.00
Time Left NOW CLOSED!
Ends [Or Later] 02/04/10 03:04:00 PM ET
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Seller DanielCooney
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High Bidder matthewlemer
First Bid $ 200.00
# of Bids 7 bids
Bid History
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Location New York, NY
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Description

Description
Digital c print, signed, numbered "1/5" on the reverse in ink.

Estimate
500 - 1000

Provenance
Directly from the artist.

Measurements
20 x 20"

Condition
Artwork is in excellent condition. Brea Souders was born in Frederick, MD in 1978 and received a BA from the University of Maryland Baltimore County in 2001. She has exhibited her work at Jack the Pelican Presents, NYC; Abrons Arts Center, NYC; the American University Museum, Washington D.C.; and the Singapore International Photography Festival, among other places. Her artwork has been published in GQ (Italy); 0_100; Antilipseis; Pause to Begin, and on the cover of Banana Yoshimoto’s novel Delfini (Italian edition). In 2009, she was awarded a Darkroom Residency through the Camera Club of New York and she was a Finalist for the 2010 Paris Residency/Fellowship offered through the Lower Manhattan Cultural Council. Brea is currently based in Brooklyn, NY.

Statement My work is concerned with private and individual psychologies, and with the human desire to deconstruct others in an attempt to understand them. I find the never-ending search for meaning to be a confusing and exhilarating experience. With each failed attempt, the world expands.

In this project, I dissect the dream journals of well-known writers, scientists, philosophers and other figures. I select potent fragments from the dreams, and then re-create them in a controlled studio environment. While working on each image, details that were left unclear in the dream description must be filled in – the color of a wall, the pattern in a sheet, the placement of an object. My choices throughout the process are intuitive, beginning with the selection of source material and carrying through to the casting of models, the props used and the general mood of each image. The resulting photographs could be seen as a distillation of the dreamer’s inner psychological make-up, however they have been tinged by the process of outside observation and analysis.


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