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Modification Notice: The seller last modified this listing Fri, 01/15/10 @ 11:03:21 AM EST.
Description
Offset print on cotton paper, signed and numbered "1/25" on the reverse.
Estimate
500 - 1000
Provenance
Directly from the artist.
Measurements
20 x 30""
Condition
Artwork is in excellent condition.
Kim Holleman was born in Tampa, Florida in 1973 and raised in the suburban area of Palm Beach Gardens. She attended The Cooper Union for The Advancement of Science and Art in New York and The Rietveld Academie in Amsterdam, Holland. She also spent time at Bet Za’lel Academy of Art in Jerusalem, Israel as an undergraduate exchange student.
Kim’s first solo show in NY, "Law of the Land" at Black and White Gallery in Williamsburg, was featured in R.C. Baker’s Best In Show in the Village Voice (2008) and was reviewed again with a feature in the arts section by Alan Gilbert. Major shows include: The Boulder Museum of Contemporary Art, "A Sense of Place: Work that Examines Changing Concepts of Place, Borders and Nationalism on a Global Scale" (2004), and at The Kohler Arts Center in Wisconsin in the show entitled, "Utopia" (2006). Her most notable work, "Trailer Park", a work of public art was shown at The Storefront for Art and Architecture on Lafayette Street for the show, "PORTable" (2006) and was featured in the METRO and other media. Her solo show, "The Artificial Homemaker" at The Rietveld Pavilion (1996), an all-glass show space in Amsterdam, was filmed for the documentary De Cultuurshok: Foreign Artists in Amsterdam (1996) that aired on Dutch National Television in Holland that year.
The opening event for Kim’s second solo show Circa: 2012 at White Box in July 2008, had over 1,000 people in attendance, and the result of wining first place in the inaugural Artists Wanted competition sponsored by Third Ward and Artists Wanted. "Circa: 2012" was selected by Papermag as the "Word of Mouth" show to see that week along with "After Nature" at The New Museum.
Statement: I use an interdisciplinary approach, which includes: Sculpture, Architectural Model Making, Installation, Environmental Design, Photography, Drawing, and Collage to create a complete spectrum of ideas or experiences.
A watershed moment in the theory and practice of art making happened for me while installing an exhibition entitled “Research Architecture” at the Thread Waxing Space, NY in 2000. This selection of work from the The Fonds Regional d'Art Contemporain du Center (FRAC) in Orleans, France, was an eye opening survey of drawings, blueprints, and utopian models embodying conjectures on evolved living as conceived by visionary architects and artists throughout the 1960's and beyond.
While delving more deeply into European Research Architecture, my mind's eye sought the familiar, turning toward the industries, politics, experience, and icons that spoke the language of American culture.
My art addresses concepts of utopia, utilitarianism, environmentalism, and ideas about perfect form. I examine how the forms that are used in the architectural reality of our world, connect to our ideas about the natural environment and our role in it. The sublime and the mundane, and our relationship to conceptual and physical space, are investigated and reconfigured.
In blending art, science, systems engineering and architecture I seek to highlight issues and provide solutions, however meaningful, visionary, insightful, practical, or absurd.
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